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TSE Audio releases TSE X50 2.0 – Rock/Metal Suite

TSE Audio has announced the release of its TSE X50 v2.0 – Rock/Metal Suite for Windows and Mac.

TSE X50 2.0
The suite includes the newly modeled X50 hi-gain amplifier.

TSE X50 version 2.0 is a complete suite for a quick guitar tone setup for rock and metal.

It’s using one of the most advanced modeling algorithms presented in a commercial plugin to this date, offering a real-time simulation of the electrical network in the stompbox/amp with acceptable cpu usage for modern processors.

TSE X50 2.0 Rock/Metal Suite features

  • TSE808 – Our very popular screamer emulation now updated with improved even-harmonics etc.
  • TSE X50 v2.0 – Hi-gain amplifier, completely re-modeled with new interconnecting algorithms.
  • RACK – Tuner / Delay / Equalizer – Essential tools for getting that quick, good tone.
  • Power Tubes – Select between using 6L6GC or EL34 pentode models.
  • BIAS – Use the bias control to set the operating-point that suits you most. (Power Amp).
  • Oversampling – Oversampling from to 2X to 8X + Automatic oversampling from 2X to 4X / 4X to 8X.
  • Input Learn – Set your input-gain to a preferred setpoint automatically.
  • Lower cpu usage.
  • Zero-latency IR-loader with adjustable IR length.
  • IR Analyzer – Compare IR length vs frequency in a graphical way.
  • User IR Directory – Point X50 to your own IR collection.
  • Movement Control – Poweramp to speaker emulation including your favorite IR into it’s process.
  • Gate – A custom noise gate with adjustable Threshold / Attack / Release.
  • DaFuk Tuner – High precision tuner for low-tuned guitars.
  • King-Pong – Pong and asymmetric stereo delay.
  • Aqualaser – Equalizer with HP/LP, Lowshelf/Highshelf, peakfilter.
  • Zero-latency and topology preserving modeling throughout the entire signal chain.
  • Included IR’s from Frozen Sun Audio, Trackmix Studio, GuitarHack, and Ryan Harvey Audio.

TSE X50 2.0 for Windows and Mac (VST/AU) is available to purchase for the introductory price of 29.99 EUR until March 1st, 2014 (regular 49.99 EUR).

More information: TSE Audio / TSE X50 v2.0

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Audio Assault announces GrindMachine guitar amp effect plugin

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Audio Assault GrindMachine

Audio Assault has introduced GrindMachine, an upcoming guitar amp effect plugin.

GrindMachine, The most agressive guitar amplifier to date!

GrindMachine includes 10 ultra realistic, ultra high gain amplifiers and 20 Dynamically modeled speaker cabinets. 11 amps with the included clean amp!

No pedals or other boosters needed, no post processing just plug GrindMachine into your FX Slot and enjoy pure high gain tones that easily fit into any mix.

GrindMachine can also load your favourite speaker cabinet impulses but trust us, you’ll find keep going back to the dynamic cabs.

GrindMachine will be available soon. 64-bit VST, RTAS, and AU are in development.

Grindmachine Free for Windows (32-bit VST) is available to download now. This free download includes 1 German amp model and 3 cabinets.

More information: Audio Assault

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Peavey announces Revalver 4 amp modeling plugin

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Peavy Revalver 4

Peavey Electronics has announced ReValver 4, a major new version of the amplifier modeling software.

Redesigned from the ground up, this latest version of the ReValver software contains new amp modeling capabilities that capture true characteristics of real tube amplifiers.

ReValver is renowned for its industry-leading amp modeling accuracy, which is achieved by modeling an amplifier down to the component level. Now Peavey has updated and improved the modeling engine in ReValver 4, taking amp modeling to a whole new level of realistic tone- shaping possibilities. The new ReValver 4 also incorporates a GUI and UX redesign and the ability to run on a Windows tablet, plus other high-level features including GIG mode, ACT (Audio Cloning Technology) and RIR 2 cabinet modeling.

Based on feedback from the extensive ReValver user community, the application’s redesign has been done so to improve user experience and workflow. The GUI now separates pedal board, amps/cabs and effects into their own views, thus minimizing the amount of vertical scrolling needed to navigate the application.

GIG mode further expands ReValver’s power as a live performance solution by allowing the user to load 8 presets into memory and seamlessly switch between them. The presets can also be assigned to MIDI controller switches. In addition, another primary consideration of the GUI and UX redesign was to make ReValver 4 the ideal solution for amp modeling on Windows tablets. As a result, the combination of ReValver 4, an audio interface, and a Windows tablet makes the perfect live performance rig.

Peavey’s ReValver 4 also features ACT (Audio Cloning Technology) modules that allow the user to mold and shape the guitar sound at both the input (before amp modeling) and output (after modeling). At the input, ACT turns ReValver into an instrument modeler by altering the incoming guitar signal to mimic the sound and characteristics of other instruments, such as acoustics, folk instruments, and even other electric guitar and pickup combinations. At the output, ACT allows the user to load presets that sculpt the signal to fit in a recording mix or mimic the sonic characteristics of famous guitar rigs.

With improved Impulse Responses, ReValver 4′s RIR 2 feature takes cabinet modeling to a whole new level of accuracy and realism by giving the user independent control of speaker configuration, microphone, and mic placement, allowing for almost endless tone shaping options. Plus, the new Pedal Board feature provides a familiar environment to build and edit an effects chain.

With ReValver 4 also comes the introduction of the ReValver Amp Store, allowing users to purchase new amps, stompboxes, effects, and ACT content through in-app purchases. Users can begin with the free version of ReValver 4, and then simply purchase the additional content they desire.

ReValver 4 supports the powerful new AAX plug-in format for Pro Tools, and can now host both VST and AU plug-ins even in a Pro Tools environment. As always, the software can also be used as a stand-alone virtual amplifier.

More information: Peavey / Revalver

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Roland announces marketing partnership with QSC

Roland / QSC

Roland Corporation and QSC Audio Products have announced a new marketing partnership promoting the concept of electronic and hybrid percussion as a whole and showcasing the pairing of V-Drums and K Series amplification as a total solution.

Roland V-Drums products are known worldwide as the foremost in electronic percussion, and QSC K Series monitors have become the gold standard in electronic percussion amplification. QSC has a long history of making high quality products, and K Series monitors are a perfect solution for amplifying the excellent dynamic response and sound set of Roland V-Drums.

Drummers have come to trust V-Drums for great playability, tactile dynamic response, silent mesh heads, supreme sound and editing capability, innovation, and industrial design. Creating the sounds of authentic acoustic drums, standard and exotic percussion instruments, as well as current and vintage electronic drums are all possible with V-Drums, giving the instruments a well-founded seat in today’s mainstream percussion domain. But in order for drummers to access the full capabilities of their V-Drums instruments, proper amplification is key. Extremely responsive electronic drums need a very unique kind of stage amplification that is accurate, has wide bandwidth, and is capable of keeping up with guitar amps and other amplified instruments.

“Musicians have recognized that K Series speakers are a great choice for electronic instrument amplification. With that in mind, we’re delighted to be working with Roland to spread the word about how well K Series and V-Drums go together,” said QSC Vice President of Marketing Gerry Tschetter.

QSC products are known for their innovation, value, and performance in the marketplace, and QSC’s K Series family of loudspeakers offers studio-quality reinforcement for V-Drums. V-Drums have a musical dynamic response that standard amplification cannot replicate. The amplification system needs dynamic headroom to accommodate transients, a frequency response to accurately render the high frequencies of a cymbal, and the power to produce a satisfying kick drum, all coming from V-Drums. This is also true when utilizing a hybrid kit consisting of acoustic drums and Roland percussion instruments. K Series amplifier systems are more than capable of playing at volumes that can not only drive the rhythm of the music with authority but also maintain a consistent Roland sound all across the listening area and throughout the full frequency spectrum.

“Roland is very happy to be working closely with QSC to give drummers exactly what they need to offer up their best performances. The combination of a Roland V-Drums percussion system and a QSC K Series instrument amplifier are made for each other and are one of the recommended amplification systems by Roland,” said Roland Corporation U.S. Vice President Paul Youngblood.

More information: Roland / QSC

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Line 6 intros AMPLIFi guitar amplifier

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Line 6 has introduced AMPLIFi, a high-performance guitar amp with 5-speaker stereo design that includes a streaming Bluetooth speaker system and a breakthrough iOS app.

Line 6 AMPLIFi

High-Performance Guitar Amp with 5-Speaker Stereo Design

AMPLIFi is unlike any amplifier ever built. The five-speaker stereo design delivers stunningly detailed guitar tones, from crystal-clear highs to deep and smooth low end. Featuring two tweeters, two mid-bass drivers, and a custom guitar speaker, AMPLIFi covers a far wider frequency spectrum than any other guitar amplifier, delivering sonic details traditional amps simply can’t produce. AMPLIFi is available in a powerful 150-watt model or portable 75-watt version, both of which can deliver ear-splitting volume levels.

Streaming Bluetooth Speaker System

AMPLIFi is the ultimate Bluetooth speaker system for guitarists, featuring streaming compatibility with Android™, iOS, Mac® and PC devices. The full-range speakers deliver amazing sound, while the custom guitar speaker functions as a thumping subwoofer. AMPLIFi combines playing and enjoying music like no other system, enabling guitarists to jam along with songs in their music library, play back tracks during band rehearsal, or crank up the volume at parties.

iOS App Control and Cloud Connection

The AMPLIFi Remote app for iOS introduces a new world of possibilities. Instead of using static knobs or tiny screens, guitarists can now control every aspect of their tones from an iOS device.* AMPLIFi Remote also introduces revolutionary Line 6 tone-matching technology, which automatically serves up guitar tones that match tracks in a guitarist’s music library.

With a cloud community of guitarists uploading their best patches, AMPLIFi Remote provides a unique and powerful resource for finding guitar tones. Within the cloud community, guitarists can rate their favorite tones, upload their own, and build their musical network by connecting with other musicians and fans. The AMPLIFi cloud automatically keeps all devices up to date and synchronized. Guitarists can store an unlimited number of presets in the cloud–and access them anywhere.

“AMPLIFi is a groundbreaking new amp that promises to change the way guitarists jam, practice and enjoy music forever,” said Max Gutnix, VP of Products and Marketing at Line 6. “It sounds absolutely amazing and delivers a uniquely incredible experience that players of all levels are going to love. Whether listening to music, jamming with friends or creating inspiring new tones to share, AMPLIFi is going to rock your world.”

Pricing and Availability TBC.

More information: Line 6 / AMPLIFi

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Studio Devil intros AmpliFIRE

Studio Devil has announced AmpliFIRE, a new amp-modeling/multi-effects floor pedal in collaboration with Atomic Amplifiers.

Atomic AmpliFire

Studio Devil and Atomic Amplifiers have teamed up to bring world class amplifier modeling to an amazingly compact and standalone unit for both floor pedal and desktop use…more to be unveiled in the days to come at NAMM 2014…

Studio Devil will be showing this amazing product at the NAMM Show 2014 in Anaheim, California from January 23rd through January 26th… stop by Studio Devil in Booth #6721 Hall A to see this amazing product in person!

More information: Studio Devil

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NAMM 2014 – Feature Fest for Kemper Profiler Players Software Version 2.3 showcased

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Kemper Amps, the makers of the multi award winning and unique Kemper Profiler present a range of new features that significantly extend the Profiler’s tonal and sonic capabilities for guitar and bass players.

Kemper Amps Profiler Rack

Kemper Amps constantly update the Profiler Software for architectural enhancements, performance and effects updates. Version 2.3 new features include:

Parallel Path for Bass Processing

This is a feature dedicated for electric bass, can be utilized with any other instrument as well, of course. The Profiler offers a variety of profiles for bass players already, as well as loads of effects and distortion FX that can be used in combination with a bass. But, just like with traditional bass rigs when playing through a distorting amplifier or a distortion pedal, the bass can loose some fundamental bass frequencies. That’s why a parallel feed of the clean bass signal usually is mixed in parallel to the distorted or otherwise processed signal for maintaining the bass frequencies and the original dynamics.
The Profiler now features an optional parallel signal path from the instrument input straight to the output for exactly this purpose, bypassing the Stack section and all effects including the delay and reverb. When the parallel path is activated, it also grabs Stomp A and B away from the regular signal path and puts both into the parallel path. This provides Stomp A and B for applying a compressor and an equalizer individually to the parallel path, while Stomp C and D and the effects remain in the regular signal path. This is great for both live and recording situations.

Analog Octaver – Not only for bass players’ delight

The analog octaver is a classic effect usually used by bass players. But of course it can be utilized for any instrument. The analog octaver adds two lower octaves (-1 and -2) to the original signal. This is achieved with a modeled analog detection circuit which manipulates and filters the input signal. The Analog Octaver should be used for single notes only as intervals or chords might create unstable results.
The Kemper Profiler octaver model features significantly improved tracking for faster response compared to the original devices. The LowCut parameter finally reduces the energy of the low notes. This allows for higher levels of both low octave voices without having to deal with deep growl and rumble produced.

NSA for Tempo – Beat Scanner

The Beat Scanner is a great alternative to using the TAP tempo. The activated Beat Scanner algorithm will listen to the rhythm of the guitar and detect the accurate tempo in BPM in a few seconds. It is not required to play anything special, any riff should do if played with certain accuracy. Beat Scanner allows for creating tempos between 80 and 160 BPM. The Beat Scanner won’t detect whether the tempo is 70 BPM or double – 140 BPM. It will choose 140 in this case.

Headphone Space

The Headphone Space parameter adds a small room simulation to the master signal. When listening to sound coming from loudspeakers the reflections from the floor, the walls and objects around add to the original sound. Even a mono signal will result in a stereo image once the room reflections reach the ears. When listening through headphones these missing reflections result in an artificial listening experience that quickly leads to listening fatigue. To avoid this, the Profiler now features the Headphone Space effect allowing to add virtual reflections to the headphone signal delivering a sense of room and natural space. Even a mono signal will result into a subtle, pleasing stereo image.
Hard wired to the Profiler’s headphone out the space effect can also be utilized for listening through regular speakers or for recording. For this purpose the space effect is also available for the post stack effects slots.

Pedal Vinyl Stop

Vinyl Stop is a variation of the already available Pedal Pitch effect. While Pedal Pitch can create a “dive bomb” effect three octaves down, Pedal Vinyl Stop will turn the pitch of the instrument down to exactly zero by swelling up the pitch pedal, just as you would stop a vinyl record with your hand. No sound is heard, until you swell the pitch pedal down again, making the instrument sound as the motor has turned back on again. No pitch adjustments available or necessary with this effect, just put the pitch pedal to the metal.

Reamping – everything built in to run High and Dry

The method of Reamping is very popular in studios and means recording the unprocessed instrument signal while recording the processed amp signal at the same time on separate tracks. This allows for feeding the unprocessed guitar signal at a later time to an amp again to experiments with various settings that might cater for a better mix without the need to play the guitar a second time. Usually some special equipment is required to convert the high impedance guitar signal into an appropriate signal at studio level for recording. The opposite “reamping” path from the recording to the tube amp needs appropriate processing as well. In case of the Profiler this is much more straightforward and easy as the connections and impedances of the Profiler already deliver all the required connectivity for reamping right out of the box. Both recording the pure instrument signal and reamping can be performed either via the analog outputs and inputs or the SPDIF connections.

Version 2.3 of the Profiler Software will be available for free to registered users of the Kemper Profiler during the first quarter of 2014.
More information: Kemper Amps

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