Soundcells has released Nordic Red, an ambient ReFill for Propellerhead Reason.
Nordic Red is based on samples from the ever popular Nord Modular G2X synthesizer.
Besides unlimited possibilties of creating a wide range of individual sounds – from 80‘s retro sounds to modern club patches, emulations of acoustic instruments to a world of sounds that never have delivered before – the main feature of this version of Nordic Red are the G2‘s “self-playing” patches, called ‘Noodles‘.
Whether you are playing ‘one-finger sessions” or rearranging the Noodles in any way you like – you will always find yourself surprised by stunning new sound textures. By using Reason‘s fantastic timestretch algorithm (loading the waves as audio files), all samples can be tweaked further, diving deeper into the recordings, bouncing preferred parts and coming up with even more brilliant ambient gems…
Nordic Red features
20 marvellous combinator patches.
35 NNXT patches containing the basic patches which were used to build the combinators.
24 recordings (up to 1.30 minutes per sample) from the Nord Modular G2X, 305 MB uncompressed.
Great for all styles of music where deep atmosphere is desired.
All samples are included into this download in Wave format – ready to use in any other DAW.
Voltage Disciple has announced the release of VOLT 80, its third drumrack pack for Ableton Live.
We have built these racks from four unique synths. The Roland CMU-800 and SH-101. Sequential Circuits PRO ONE and The NORD MODULAR.
Each sample in the kit is 24bit and has been meticulously edited, layered and shaped in Wave Editor for a precision sound. Each drum sound has its own macro controls to further vary and shape the sound to taste. The kits also contain macro controls for subtle reverb,drive and heavy NewYork style compression. Some drum sounds use CORPUS to enhance the depth of the sound. The sounds are crisp, clean and solid and will punch through the mix. The pack also contains 40 midi clips to help you get started with these great sounds.
Volt 80 for Live/Suite 8.2.1 or higher is available to purchase as an instant download for $10 AUD.
Nord has announced its new flagship instrument line, the Stage 2 Series.
The Nord Stage 2 represents a stunning new take on the famous Stage series, featuring our latest sound generation technology in each of the piano, organ and synthesiser categories. Inside and out, the Nord Stage 2 represents our current state-of-the-art instrument design for the professional and semi-professional keyboard player.
The Stage 2 Series contains the latest piano sampling technology from the multi award-winning Nord Piano, including String Resonance, Dynamic Pedal Noise, and a completely user-replaceable sample memory (twice the size of the Stage EX) compatible with the new Nord v5 Piano library.
The Stage 2′s Organ section features 3rd generation organ modelling derived from the C2 Organ together with advanced rotary speaker functionality. The Stage 2 has an all-new synthesiser section with the genes of the Nord Wave. Additional tone-generating options, a powerful arpeggiator and, critically, compatibility with the Nord Sample Library. The Stage 2 now has access to the existing library and thanks to the included Nord Sample Manager software users can create their own sample-based programs.
With a control panel and user interface designed to give immediate access to all key functions as well as instant visibility of current settings, the Nord Stage 2 is designed specifically for the professional performing musician. Single function controls, dedicated piano, organ and synthesiser sections, new Live Mode buttons, all make for exceptional ease-of-use.
In addition, the Stage 2 88- and 76-note versions feature a superb new custom-designed keybed to further increase the instrument’s playability. Additional new features include MIDI over USB functionality, monitor input, midi sync. for the global master clock and master clock sync. for LFO, arpeggiator and delay.
The three Stage 2 models, Nord Stage 2 88 (88-note fully-weighted), Nord Stage 2 76 (76-note fully-weighted) and Nord Stage Compact (73-note semi-weighted) are all handbuilt in Stockholm, Sweden, and will be available from February 2011.
Vertigo – Audio Units, VST and RTAS Additive synthesizer, able to import WAV and PNG files into two morphable layers, each with up to 256 oscillators. Includes 8 built-in effects, dual filters and FFT view.
All discoDSP products are available to purchase with 50% discount on November 26, 2010. Use coupon code black to take advantage of this offer.
Prime Loops has recently released Ambient Fractals, a sample library featuring ambient sound effects by resident producer Dmitry Vasilyev aka Cyberworm.
Engineered to capture the true essence of ambience, “Ambient Fractals” will twist you through the mathematics of sound, bringing you a mesmerizing selection of waveform manipulations and spaced out oscillations from the sublime side of synthesis. It’s never been easier to find that extra layer of texture for your tunes and soundtracks, adding depth, tension and mystery to any mixdown.
The library includes nearly 300 samples and loops which Dmitry created with a number of hardware synthesizers, including the Waldorf Q, Access Virus, Roland JP8000, Korg Prophecy and Clavia Nord.
The focus of this library is on single shot sound fx samples. A total of 276 sounds are categorized in 15 folders, including things like Atmos, Glides, LFOs, Reverses, and Weirdos. Other than being serially numbered the actual samples within the folders do not have any additional descriptions. I prefer a more distinctive naming convention but since there is a reasonably small amount of samples in each folder it isn’t too big a deal. Unfortunately there is no info on which key samples are in.
While a number of one shot samples are short sounds (e.g. stabs, perc, blips) most are actually quite long, from several seconds up to nearly half a minute.
Have a listen to the product demo below to get an idea of the type of sounds included in Ambient Fractals.
Note: the audio demo includes some additional sounds not included in this library (e.g. the drum beat).
Let’s take a look at the one shot samples in detail.
Atmos (24 samples), averaging 10 seconds per samples these sounds set some great ambiance. Mostly darker sounds, brooding and with anticipation of something bad waiting to happen. Puts me in a space thriller type mood.
Blasters (16 samples), more space sounds in this folder featuring sounds of space aliens blasting their weapons at full force. Mainly shorter zaps and blasts.
Chords (24 samples), lots of suspenseful chord hits, sounds ranging from organ and piano to filtered house chords.
Delayed (26 samples), various melodic and percussive sounds treated with full force delay effects.
Glides (9 samples), kind of like drive by whooshing sounds, but then… you guessed it, from all kinds of space craft type vehicles.
Hits (20 samples), short sounds -mostly percussive- heavily drenched in massive reverb and other processing.
LFOs (18 samples), LFO modulated sounds, including some typical rippling sound fx and dub siren/alarm type sounds.
Noise (13 samples), includes some wind type sounds.
Other (37 samples), various 8bit sounds, blips, filtered sounds, vocal fx, sweeps, and more.
Pitched (12 samples), going up… going down! These samples create movement by shifting pitch in various ways.
Reversed (10 samples), some of these reversed sounds are particularly tense/creepy and intimidating.
Sirens (10 samples), various real-ish and not so real sounding sirens.
Stabs (27 samples), includes orchestral, choir, organ, piano, synth, distorted guitar… lots of mostly very shorts hits.
Synths (19 samples), nice variety of processed synth sounds (no “simple” sounds).
Weirdos (12 samples), some noisy, glitchy, bubbly sounds. Not sure why they are called weirdos as they sound similar to many of the other samples in this pack.
Besides the one shot sounds you also get a collection of 20 loops, ranging from 90 to 130 bpm. These are in the same vein as the single sounds. These noisy, glitchy, heavily processed tonal and atonal sounds do have some more descriptive names indicating bpm, and key info where relevant.
So what do I think?
Product: Prime Loops Ambient Fractals Format: 24bit/44kHz samples (various formats) Price: £16.95 GBP Like: great sound design, lots of unique material Don’t like: no key info for one shots Verdict: 8/10
First off, the title might suggest otherwise but I don’t think Ambient Fractals is geared towards ambient music per se. It’s more of a sound fx collection, including tons of well produced sounds that are great for cinematic work, experimental music and to spice up any type of electronic music really.
The whole production has a bit of a dark undertone, which makes it great for science fiction or thriller type music/soundtracks. If I had to come up with a title for this sample pack I would make sure it would have “space” or “alien” in it.
While having a good variety of sounds, many samples in Ambient Fractals are heavily processed with reverb, delay and other effects. Now much of the processing is what makes the samples unique so I am not saying this is a bad thing, but it obviously comes at the cost of usability. That said, the samples do sound simply great.
In short, Ambient Fractals includes a wealth of high quality sound fx for adding some zing to your productions.
Prime Loops is offering a free demo pack featuring 20 samples and loops so check it out and see what you think.
Soundcells has announced the release of Simple Sampling, a ReFill for Reason 4 and higher.
At first Soundcells started working on a fun ReFill based on a Stylophone only, which was recorded for sampling purposes. Besides programming a patch that matches the real thing, the NNXT sampler in Reason was tweaked to go some extra steps and some fat funky clavinet-style patches caught by surprise.
While producing the Stylofunk mini track (apart from the loop it’s entirely based on stylophone samples) some extra cool stuff was added to this ReFill: a “single-sample-rhodes”, a “single-sample-piano”, a “single-sample-kalimba” and a lot of other nifty stuff… “Simple Sampling” gradually turned into a product full of “simple samples” coming from different sound sources.
If you are looking for sampling like it was done in the old days instead of patches with hundreds of individual samples, you will love this ReFill. Super quick loading patches, very cpu-friendly and most of all full of character and very charming…
Simple Sampling features
101 combinator patches for many different styles of music, subdivided in 6 folders: Bass, Drum Machines, FX & Atmo, Keys, Leads, Pads.
A note by note (a2 – e4) sampled and looped Stylophone including it´s typical release click.
“Simple Samples” coming from the Rhodes Mark 1, Doepfer MS404, Supernova 2, microKORG, G2, VL1…
The modules folder contains the basic NNXT patches which are used for the combinator sounds.
10 Rex loops, 5 Redrum kits.
Simple Sampling is available for the introductory price of 14.90 EUR through October 2010 (regular price 19.90 EUR).
Roland Kuit has recently released SoundLab, an interactive e-Book for the Clavia G2 virtual modular synthesizer.
Basic I: Basics of the electronic studio: Oscillators , Waveforms, LFO´s, ADSR´s, filters, building a basic synth, building famous synths like the Mini Moog, Korg MS 20, ARP 2600, EMS Synthi with video and sound of the real thing.
The Dual SP0256 vocal synthesizer is the descendant of an earlier circuit of mine, Analog Controlled Speech Synthesizer. I crammed in all the features I’d want from a singing robot. It was a good challenge because it inspired some analytical thinking about the relationship between speech and singing.
The features of this circuit are:
2 trigger inputs to step through pitch and vocal sequences independently
speech data stored cartridge-style on EPROM
2-oscillator richness using dual SP0256-AL2 speech chips with crossfade mixer
optimized low-pass filtering for less strident tone
SP0256 crystal oscillators replaced with VCOs for pitch control
each chip has an independent / linkable 4-step analog step sequencer for pitch
lower step sequencer has switchable clock divider (divide/2 to divide/16)
glide and LFO functions
speech rate (slur) control
built-in realtime programmable sequencers for pitch and speech trigger
IR Sync input for wireless infrared tempo matching
Hello, my name is Matt. I record, edit, and mix music for a living. My profession requires an extremely discerning ear. This little listening test is to see if you can pick up subtle differences in pitch.
For all the hype around mobile music creation, here’s a story with an ending in the opposite direction. Independent developer Olivier Gillet is the reason a lot of people see handheld gadgets as potential music making devices; he’s the creator of the brilliant Bhajis Loops for Palm. But, as if to prove that hardware can be a digital platform, too, his latest creation, while it will fit in your palm, isn’t for a device like the overcrowded iPhone.
Sonic Wire Sculptor is based on a musical instrument by Amit Pitaru which has been shown in museums and galleries world wide. A great effort has been placed in reworking the app to take advantage of the the iPhone's unique audio and input capabilities. The Sonic Wire Sculptor turns your 3D drawing into sound. It introduces a simple yet deep connection between visual and audio composition.
John Fisher has released a free VOSIM synth for Reaktor.
Well, for all you poor bastards who don’t own a G2 modular, and can’t use the VOSIM patch I made for mine, I have put together a VOSIM patch in Reaktor. Actually, part of the reason I made it was just to implement some features I couldn’t get in the G2, and because I thought it might sound different in reaktor.