The magnificent Steinway D, recorded in a concerthall for the true concert grand experience. This microphone perspective is normally the preferred configuration for recording a live classical piano performance, such as a recital. The microphones are placed at a sufficient distance let the tone fully engage the room. You might even say that the room is really the featured player here, as much as the piano.
The “Close” perspective was recorded with the microphones placed very close to the strings. Normally, this isn’t the way you would record a classical piece, but you will find that this perspective gives you a great presence and brilliance. Try this version for an in-your-face pop or jazz sound, or for bold and aggressive features.
The Rain Piano was recorded after some extensive Tom Waits listening. Specially the ”Mule Variation” album, (great stuff!). I fell in love with the piano sound on that record and decided to make something in that line.
The sfzED sample libraries are available for purchase at a 50% introductory discount for a limited time only.