TC Electronic has introduced the TouchMonitor TM7 & TM9, a full-featured stereo and multichannel loudness and true-peak level meter.
TC TouchMonitor TM7 & TM9 is the ultimate, stand-alone loudness meter solution, featuring a touch screen with highly flexible layout options, an extremely consistent loudness readout and compatibility with e.g. American, European and Japanese broadcasting standards.
TC TouchMonitor TM7 & TM9 features
7″ or 9″ color touch screen (16:9 TFT) – Loudness has never looked this good!
Extremely consistent readouts – Consistent result at all times.
Conforms to international broadcast standards – Including American, European and Japanese.
Easy and fast touch screen control – Context-sensitive on-screen help.
Extremely flexible screen layout options – Resize and reposition any instrument (meter type).
Powerful DSP – Parallel display of multiple instruments.
Flexible I/O options – Including analog, AES3, AES3id, etc. An SDI 3G I/O card will be available for TM9 in 2011.
Connectivity – Ethernet/LAN, USB, VGA and GPIO ports.
Modular software structure – Add optional instruments as the need arises.
The TouchMonitor TM7 & TM9 will be available in December 2010, starting at an MSRP of €3280 EUR.
WOK has announced the release of Blip1000, a free matrix step sequencer instrument for Windows PC.
Got a windows touchscreen computer and miss these cool apps like on the iPad™ ? Now you can generate MIDI sequences with a touch of your finger. Also great for controllers like Novations launchpad (together with Automap).
Blip1000 is a MIDI sequencer VST plugin. It plays mono- or polyphonic sequences depending on the selected notes and the enabled trigger buttons. Host sync with different speeds, swing, several play direction modes and MIDI controller learn – try it for free and start making music now!
Clear and easy interface.
Number of steps selectable (up to 8).
Note per line selectable from 3 octaves with display.
Several play modes (forward-backward, random etc.).
Syncs to host – clock divider adjustable.
Sequence transpose by MIDI input
MIDI ouput channel selectable.
Automatable in the DAW.
Sequences can be saved as VST plugin presets.
MIDI-ouput; any plugin or synthesizer can be used as sound source.
Low on CPU.
Blip1000 is available as a free VST instrument plug-in for Windows PC. A nagscreen-free version is available upon donation.
One of the unique features of the Nerdle kit is the use of touch-sensitive capacitive-sense buttons, made from copper foil pads inside the case. While meeting with the camp directors to prepare these activities, we decided to try linking the raw information from the capacitive sensors to the on-board piezo speaker.
We added two lines of code, uploaded, and jaws dropped. It sounded like the computers of the future were supposed to sound.
In this guest column, we turn to veteran synthesist and music tech expert Jim Aikin. When Jim wants to do digital synthesis, one of the tools to which he turns is a veritable favorite with a direct-line legacy to the beginnings of computer sound. That doesn’t mean Csound hasn’t kept with the times, though, or that it has to be unfriendly. If you’ve been looking for a way to dive into sound and code, this could be an ideal path.
The Chipophone is a homemade 8-bit synthesizer, especially suited for live chiptune playing. It has been built inside an old electronic organ.
All the original tone-generating parts have been disconnected, and the keys, pedals, knobs and switches rerouted to a microcontroller which transforms them into MIDI signals. Those are then parsed by a second microcontroller, which acts as a synthesizer.
The Morphwiz app from Jordan Rudess takes the concept of the Hakan Continuum – which Jordan was also involved with, and applies it to the touchscreen of the iPhone/iPad to create a totally new instrument, while adding some trippy visuals, effects and a healthy synth engine. Dream Theatre are currently on tour with Iron Maiden in the US, we caught up with Jordan the morning after the night before at his hotel while on the road. He gives us an insight into the features and thinking behind the app.
Musikame has a beta of the souncloud dj player, the easiest way to dj your soundcloud tracks, allowing you to mix tracks from SoundCloud.
The soundcloud dj player includes various controls like pitch control, dj fx, looping, etc.
At this stage all the mixing is done automatically by the app itself: the user just picks the tracks and the length of the crossfade between them. While it's not actually possible to beat-match tracks as yet, the software does have pitch control with adjustable range, FX, looping and reverse capabilities, hinting at more advanced functionality in the future.
Create Digital Music has some exclusive photos of Griid, the controller for iPad that offers four fluid ways to navigate clips in your Ableton Live set.
Peter Kirn writes:
The developers of Griid, the Ableton Live controller on iPad created in association with Richie Hawtin, have shared photos and screen captures early with CDM to give us a look at the upcoming app. Just over a decade after its original inception, Ableton Live itself remains a ground-breaking user interface design. Love it or hate it, it’s a benchmark in thinking about how music apps might look.
Griid is compelling in part because it re-imagines how that central Session View and clip launching might work, now in the context of a touch tablet. Personally, I like the results. As on the Lemur, bold, saturated colors and contrast on a black background are central, of course. It’s also nice to see extraneous visual information removed. And for anyone with epic-sized sets of clips in Live, you’ll like the massive overview.
Over the past few years, we have shown everyone a fair number of controllerism tricks and techniques on this site. Through that time, everyone has consistently expressed a desire to see them used in the context of a real dj set. While it’s not realistic to beat juggle for 30 minutes and keep a dance floor rocking it IS realistic to sprinkle the mix with some amazingly fun routines. In the video above I condense a 30 minute set into 10 minutes of quick mixes that use controllerism as a tool for creative transitions.
Read on for the full 20 minute mix, and a contest in which you can win the midi-fighter controllers.
Open hardware means the ability to create exactly what you want. But it doesn’t have to intimidate the newcomer – not so long as you’re up for a project and a little creativity. The monome grid controller, long a sensation with digital musicians, finally sees a major update in its kit version. The “kit” isn’t built from scratch; instead, it includes the major components largely pre-assembled. A US$60 logic board contains the brain and USB port, with all surface-mount soldering done for you. (You don’t even have to upload firmware to make it run). A $40 driver operates the grid. $120 buys you the main guts – just add LEDs yourself (allowing you to pick a color) – and put the grid and pads into a housing.
Pre-orders july 16. shipping late july. More info at monome.org
# Kaossonome, inspired by Korg’s Kaoss Pad and the Monome.
It features Kaoss Pad-like sampling programs and is fully Monome 256 compliant. Additional programs include an algorithmic step sequencer, a beat synced sample chopping performance controller, and many more.
Alexander Randon writes:
The Kaossonome is my first electronic music controller design. It interfaces the musician via a touchscreen, resting on top of a 256 LED matrix, and eight rotary encoders with push‐buttons. Enclosed within an aluminum front panel, a dark wooden frame, and a clear Plexiglas back panel, the controller is protected from external forces and is less than an inch thick. The touchscreen can be controlled with either a finger or a stylus and the knobs turn and toggle with ease. The Kaossonome powers and transmits serial data over USB. The serial data is then intercepted by a modified version of ArduinomeSerial, which transforms the data into MIDI and OSC. The software savvy electronic musician can design intermediate software devices to grab data from the device, route touch-screen presses and rotary encoder changes to musically defined parameters, and then send data back to the device to control the LEDs.
Roger Linn has posted his research project LinnStrument, a new musical instrument prototype.
If you’ve read my (Roger’s) New Musical Instruments page, you know that I’m interested in the idea of new musical instruments that overcome the limitations of traditional mechanical instruments. My particular interest is in a new instrument that while capable of entirely new sounds and playing techniques, is also able to reproduce the sounds, virtuosic performance capabilities and subtleties that we’ve come to know and love from traditional musical instruments, but without all their problems and limitations.
I’ve come up with a prototype of an instrument design that I like. Here’s a brief video of what I’ve got so far:
The low cost multi-touch, pressure-sensitive, high-resolution input surface used in this prototype comes from TouchCo, which was bought by Amazon in January 2010 in order to add touchscreen technology to Kindle.
Alas, until someone else comes up with a similar touch technology or Amazon decides to make the TouchCo technology available, development of our product will be limited to refining our Max/MSP patch. One promising new technology we’ve evaluated is a touchscreen from Stantum (same company as JazzMutant, makers of the Lemur) that senses surface area of your fingers, which is not a bad alternative to sensing pressure because your finger surface area increases as you increase pressure. However, I found that their current resolution wasn’t high enough for what I’m trying to do, plus true pressure sensing is better for musical control.
eaReckon has released BloXpander, a music application originally designed to meet the requirements of musicians and engineers in “live” situations.
BloXpander combines the power of a computer and the efficiency of a dedicated device.
Its interface has been designed to match this basic specification. It is visually attractive and clear, the construction of projects and the access to prepared instruments and effects is very fast. The plugins manipulation is direct (especially when BloXpander is coupled to an external MIDI controller).
ASIO Host for VST plugins (Windows only)
4 Auxiliary bus + 1 Master bus
6 inserts per channels (theoretical 174 Instrumetns / FX slots)
Advanced support for external MIDI controllers (lets you control the mixer and plugins)
Control up to 8 plugins (8 parameters each) with just 8 potentiometers + 8 buttons
Displays the controlled targets names on screen
Lightning fast configuration procedure
Mackie Control protocol supported
Global management of MIDI and Audio streams (MIDI VST Fx supported)
Assign the same MIDI input port to several channels (MIDI Split)
Assign the same Audio inputs to several channels (Audio Split)
Assign any available audio and/or MIDI output or the Master bus to any channel
Pre/Post fader selector (aux sends)
Specific routing solutions for “multi out” and “sidechain capable” plugins
9 Soundware has announced the release of Helix, a collection of presets for the ES2 synthesizer within Apple Logic Pro.
The sound set explores the extraordinary instrument capable of shaping a vast array of timbres with extensive control options. From harmonic tones and drums to atonal sounds with extreme settings, these 150 patches were designed for use in a wide range of applications.
soundset of 150 .pst files, consisting of 4 main categories. “Bass”, “Lead”, the two subcategories of “Miscellaneous” (“Harmonic” and “Inharmonic”), and “Pad” each contain 30 sounds.
Examples include chaotic leads (e.g., Conficker.pst, My Crow Soft.pst, and Teraflop.pst), 5th-harmonized basses (e.g., Lowrider.pst, Ripe Fruit.pst, and Shark.pst) and leads (e.g., Touchscreen.pst and Wardriving.pst), sequence-like textures (e.g., Low Battery.pst and Timepiece.pst), dissonant backdrops (e.g., Abyss.pst and Hex.pst), noise instruments (e.g., Fire Blueprint.pst), and impacts (e.g., Crash.pst, Scud.pst, and Slug.pst).