u-he has released a release candidate for version 1.3 of its ACE modular synthesizer instrument for Windows and Mac.
It contains those more than 100 niggles and bugs fixed since last autumn, we’ve added 200 new HS Presets (like Diva, with an optional folder to purely browse those), it features the new Scope with options (we have not changed it for “pale” resize… simply because the resize code will change shortly anyway) and the new ModMapper drawing tools. It also features a new “filter reset” function in the circuit bending section.
Please give it a whirl and let us know if anything all too awkward happens
The release candidate is available for download from the u-he forum at KVR Audio.
u-he has announced that its Podolski synthesizer plug-in previously available as magware is now a free download for all users.
The updated Podolski offers new presets by Howard Scarr, a GUI makeover (two new skins) and support of a wider range of plug-in formats.
Podolski is a simple, CPU-efficient virtual analogue synthesizer. Basically a cut down version of FilterscapeVA with just one oscillator, one filter, one envelope and two LFOs, it also features a Zebra-style arpeggiator/sequencer plus chorus and delay effects.
Podolski’s specialities are the Click parameter (emphasizes the filter attack) and its ability to seamlessly morph between three waveforms (WaveWarp).
The Podolski synth is a free download for Mac and Windows (VST/AU).
Users of Zebra have no shortage in sounds for this virtual modular synthesizer. Thousands of patches are available in both free and commercial soundsets. U-he’s latest offering – The Dark Zebra, is a little more than just a collection of patches.
A bank of over 400 presets, a collaboration between Hans Zimmer and Howard Scarr. Practically all Zebra sounds in the The Dark Knight as well as The Dark Knight Rises soundtracks are included, plus several more that didn’t quite fit into the scores.
The pack also includes Hans’ custom built update from a licensed Zebra2.x to the version you can see in this video, ZebraHZ. Many of the more recent patches make use of the extra features available in ZebraHZ.
Demonstration of The Dark Zebra with its custom ZebraHZ synthesizer plugin.
So not only does this soundset for Zebra 2.5 include hundreds of sounds straight from the brilliant minds of Hans Zimmer and Howard Scarr, it also comes with a custom Zebra version that was made specifically for Hans’ scoring of the Dark Knight movies.
Additional features of ZebraHZ include:
analog filter models such as the ones found in Diva,
2 additional modulation mappers,
and a Polymoog-like resonator effect module.
The new filters are available from the DIVA VCF tab in the bottom bar of the GUI.
You get 4 highpass filters and 4 lowpass/multimode filters. The HP filters include two models – Pre and Bite, and the 2 pairs of lowpass filters have Ladder, Cascade, Multimode and Bite models. Controls for cutoff, resonance and key follow are available, and three unlabelled knobs can be used to set modulation depths for assigned sources (two for cutoff, one for resonance) for each filter.
Since these filters can consume quite a bit of CPU, it’s good to have some quality parameters so you can work in draft mode and render with high audio quality. You can also get some random cutoff values on the filters with an additional “CutoffSlop” control.
ZebraHZ comes with an individual polyphonic compressor for each one of the 4 lanes. Polyphonic means that these will apply compression for each single note! You can imagine this takes some processing power so you can deactivate them to save some CPU.
The lane compressor modules are particularly useful for doing percussion/drum type sounds where transients matter.
With two additional modmappers in ZebraHZ (also included in the latest regular Zebra plugin) you now have a total of 4 flexible modulation map modules to add even more modulation to your sound.
The new Resonator module (Res1) is available from the effects grid on the Global/FX tab. This emulates the 3-band peaking filter found on Moog Music’s Polymoog analog synthesizer.
One of the very first polyphonic synthesizers ever included a 3-band peaking filter that could be used to dramatically shape the overall sound.
The resonator module in ZebraHZ.
ZebraHZ takes this concept and extends it with an extra full range band (60Hz-7.5kHz). The Resonator has various filter color modes, and the filter mode includes lowpass, bandpass, a bandpass variation with inverted second pole, and highpass.
Interestingly enough, many of the patches in The Dark Zebra don’t use any of these new features. Regardless, the additions are great to have.
As for the sounds, The Dark Zebra has a total of 400 patches which are categorized as follows:
Basses and Drones (33)
Bells and Metallurgy (26)
Drums and Clocks (64)
Effects and Chaos (38)
HighArps and Chords (72)
Lead and Horns (47)
LowArps and Stomps (50)
Pads and Keys (46)
As you would expect with sounds that were used in the soundtracks for The Dark Knight and The Dark Knight Rises, many of them have a dark and cinematic feel to them.
Howard programmed most of the sounds to be performed with mod wheel, pitchbend, pressure and breath control, making them very dynamic. The patches come with information on the sound, how to use it and which controls are assigned to which parameters so you get an idea of how they were intended to be played.
Check Jarkko Hietanen’s amazing demo below to hear some of the sounds of The Dark Zebra in action. Only Zebra was used for this track!
So what do I think?
Product: The Dark Zebra by u-he Format: .h2p patches + ZebraHZ VST/AU plug-in Price: $99 USD incl. VAT (EU) Like: Brilliant sounds, excellent for studying Zebra sound design Don’t like: Costly for new Zebra users (since Zebra 2.x is required) Verdict: 9/10
It is a real testimony to u-he’s Zebra, that a famed composer like Hans Zimmer chooses to use this particular synthesizer for his soundtrack scoring. Browsing the sounds of The Dark Zebra it is clear that see why this flexible, high quality instrument was used. But a good synth only gets you so far.
I reckon a decent sound designer can make a bad synth look pretty good. How much more can a brilliant sound designer do with a fantastic synth? Howard Scarr is a true master of synthesizer programming, and in this collaboration with Hans Zimmer his skill, knowledge and dedication bears much fruit.
The sonic range of The Dark Zebra offers small and beautifully intricate to gripping, fast-paced and chaotic. Highly cinematic, but not limited to film scoring, this soundset is both an archive of hundreds of beautifully designed sounds ready for use in your own productions, as well as a peek into top notch sound design with Zebra. It is well worth studying the patches to learn how particular sounds were achieved.
Though the soundset didn’t actually end up using the new features in a whole lot of its patches, it’s still great to have the Diva filters, resonator, and lane compressors in ZebraHZ for your own sound design.
The only downside is perhaps the price tag. Even though ZebraHZ comes as its own plugin, you do need a license of Zebra 2.x to use ZebraHZ and the soundset. I personally think that The Dark Zebra is well worth the price, but new users will have to pay a considerable sum to get the whole package. That said, Zebra *is* a most excellent synthesizer, so it’s not a bad thing to pick it up anyway.
Stephan Müsch aka rsmus7 has released Darkend Bank, a free collection of 32 patches for ZebraHZ, the software synthesizer that is part of u-he’s Dark Zebra soundset featuring sounds by Howard Scarr and Hans Zimmer.
I made these patches as a „thank you“ contribution the ZebraHZ release. I hope you’ll enjoy them.
All Patches have the modwheel and the XY controls assigned, some also aftertouch.
u-he has announced the release of the Dark Zebra, a soundset for Zebra 2 featuring patches by Hans Zimmer and Howard Scarr.
The Dark Zebra soundset with the custom ZebraHZ synthesizer plugin.
A bank of over 400 presets, a collaboration between Hans Zimmer and Howard Scarr. Practically all Zebra sounds in the The Dark Knight as well as The Dark Knight Rises soundtracks are included, plus several more that didn’t quite fit it into the scores.
Furthermore, the pack includes Hans’ custom built version of Zebra, dubbed ZebraHZ. Many of the more recent patches make use of the extra features available in ZebraHZ.
The Dark Zebra soundset is available to Zebra 2 users for $99 USD (incl VAT).
Note: The included ZebraHZ is currently VST2 and AU only (AAX and VST3 are in development).
u-he has posted a video of “The Dark Zebra”, a soundset for Zebra 2 featuring sounds by Hans Zimmer and Howard Scarr.
A walk through some of THE DARK ZEBRA synth presets – a Zebra2 soundbank created by Hans Zimmer and Howard Scarr. A few of the clips reveal extra “ZebraHZ” features that are not present in the regular Zebra2.
The Dark Zebra is expected to be released on Monday, July 23rd.
u-he has announced details on the upcoming ZebraHZ, a special version of Zebra that Hans Zimmer used in the soundtracks of the Dark Knight trilogy of Batman films.
As you know, next week premieres the final part of The Dark Knight trilogy. For the soundtrack HZ used a custom built Zebra with Diva filters and some prototype features originally planned for Zebra3. He got us to do this in return for some rights. Now the gist is, part of what we’re releasing requires that pimped version of Zebra, hence it will be bundled. It isn’t perfect, e.g. the “Diva” filters are mono, there’s no multicore support, significant CPU drain if the extras are used. We call it ZebraHZ, and it will run nicely as a *separate* plugin!
So, hehe, I can’t hold back anymore, and it has been guessed rightly a few times – all Zebra patches by HZ/HS designed for Batman Begins, The Dark Knight and The Dark Knight Rises, accompanied by ZebraHZ. Sells for 99$, requires an existing Zebra license.
This I think is the best way to celebrate 11 (i.e. one more!) years of u-he, and a great way to bridge the gap until we release Zebra3. I’m also very happy that we can finally and officially make these sounds heard.