Plughugger has released Bassmasters 2010, a collection of 128 bass sounds for Kontakt, EXS24, Reason and Structure.
BASSMASTERS 2010 is a sample library with the focus on synthetic bass sounds.
Bassmasters 2010 is a compilation of the best bass sounds we created during the first year of Plughugger.It’s the best of the best. First went through all of the hundreds of sounds we’ve created and selected the ones that made our hair stand on end. Then we boiled it down even further until only 128 bass sounds were left. Then we sampled them into all the major sampler formats.
The Bassmasters 2010 is split up into two volumes of 64 sounds:
Bassmasters 2010 Volume 1 contains sounds from Imposcar Bassbox, Sylenth1 Club Tools 1, Largo Large Bass Expander, DCAM Synth Squad Strobe Vanity, and Sylenth1 Syrup.
Bassmasters 2010 Volume 2 contains sounds from Minimoog V Moog El3ctro, Sylenth1 Total Bass, DCAM Synth Squad Pushball Electro, Sylenth1 Dark Horse, Ultra Analog Ultra Bass.
The Bassmasters 2010 libraries are available to purchase for 5.90 EUR each.
Touchscreens? Good, old-fashioned faders, knobs, and pads? Why not just use what suits the job – especially when you can choose both on the cheap?
Nay-Seven shares some of his latest work with Usine, the brilliant, modular and touch-centric tool for Windows. It’s a futuristic rig that’s also down-to-earth. Touchscreen monitors can be had for around US$300 street, and the Akai LPD8 and Korg nanoKONTROL controllers each figure under a hundred bucks. Usine, the software, is a bargain for its depth at EUR120, and free and educational versions are available.
Nay-Seven: Here a work where i use the sequencer of Usine not to sequence audio or midi but patches : patches appear only when i need them , easy way to have only the controls you need on the screen, i also associate here works with faders and pads via personal patches for lpd8 and nano kontrol and the use of a touchscreen . Made with Usine ( sensomusic.com ) thanks also to Michael Ourednik for his great vst Argotlunar
Here is my 365 days project. Every day I will compose/produce and upload here one drum break in CD quality format. It's simple – use it the way you want it. all files are copyrights free. This is not commercial project but if you like my work click donate button. have fun !
They had fame, reams of money, and fans willing to do wild, unmentionable things just to breathe the same air — but in 1971, LIFE illustrated a different side of rock stars: Just like most of us mere mortals, they came from humble backgrounds, with moms and dads who bragged and worried about them every day. Assigned to take portraits of the artists at home with their sweetly square folks, photographer John Olson traveled everywhere from the suburbs of London to Brooklyn to the San Francisco Bay Area, capturing in his work the love that bridged any cultural divide that may have existed between his subjects. Now, as a special treat for Mother's Day, LIFE.com brings back Olson's nostalgia-inducing photos — check out the awesome '70s decor! — and talks with the photographer himself about his memories of those shoots.
Includes pictures of Frank Zappa, The Jackson Five, Joe Cocker, and more.
It's the weekend! To celebrate, here are 12 snare drum samples that have been distorted in various ways. Some of the distortion on these is so extreme that the transients are pretty much totally sheered off, so if a particular snare doesn't have the oomph you want, try layering it behind an undistorted snare. 12 stereo samples, 24-bits, 1.3 MB.
Writing about and reviewing products is a subject that is brought up in forums and reader correspondence, and it generally follows the same story. Someone has read a magazine, got annoyed because 98% of the products got at least 8/10 ratings and/or a fancy award. Conclusion – the reviewers are in the pockets or the advertisers or simply bribed.
After working in the publishing business as a daily job for many years, I have to say that – sadly – I still haven't met a music technology journalist who drives a BMW or bloating around in a Hummer.
Writers in this genre are not bought, nor incompetent.
Carl brings up some excellent points in this article.
I generally don’t post any reviews of products I really don’t like. I just can’t be bothered to spend time on something really bad… Seems Tom at Waveformless is a different kind of reviewer… (not really of course, just pulling your leg, Tom)
On December 17th, 2010 I released the Sounds from a Distant Outpost FREE Live Pack.
Now, a little over a month later there have been over 1,000 downloads from http://www.outpostexperiment.com/!
The most exciting thing for me is that a two people have REALLY dug into the 12 instruments in the Live Pack and have taken the time to compose tracks using ONLY instruments from this pack.
I’ve attached their two songs plus a third I created below. It’s pretty fantastic that while we didn’t directly collaborate all the works are quite different yet sound they all sound like they are telling stories from the same universe.
Plughugger has released Moog El3tro, a collection of 64 presets for the Arturia Minimoog V software synthesizer.
MOOG EL3CTRO is the Plughugger take on the Arturia Minimoog, which means we follow our tradition of focusing on electronic bass sounds. But MOOG EL3CTRO is far from an orgy in bass. There are also sequences, arpeggios, leads and pads.
The soundset is constructed around 64 presets and one of the primary goal during the design was to create sounds that didn’t replicate the classic Moog sound, but to push the sound of the Moog in other directions.
A good example of this is with the sequences that make full use of the unique motion modulator, in which we squeezed and filtered the sounds until they were coated in an inspiring electro-vibe pimped-up fur. The sequences and arpeggios are designed to work as inspirational starters – or the spice you add when you need that little extra.
Moog El3ctro is available to purchase for 5.90 EUR.
Plughugger has announced the release of Nerd Electro, a new loop and sample library in Kontakt 3, SFZ, Reason and WAV formats.
Before house, acid, techno and trance – there was a magical world often referred as ‘the 80s’. In the eighties the unicorns roamed free on the streets and people had hairstyles that defied style, sense and gravity. Before house – and particularly the nasty acid house – came and destroyed everything, and made everybody so incredibly hip, life was cute, poppy and quite naive.
Nerd Electro is the Plughugger take on the eighties, when synthesizers were expensive as hell, weighted a ton, were impossible to program, and sounded just slightly better than the keyboards for Very Small Children.
Nerd Electro features
Nerd Electro is built around ten construction kits that includes loops, individual sounds and ready to go sampled instruments.
All loops have a fixed tempo of 128 BPM.
All drums both come as complete loops and individual stems.
If a sound source is heavily processed, it also comes dry (if it makes sense).
Everything was originally created in 24 bits and later resampled and dithered down to 16 bit.
The Kontakt versions of the sounds comes with a special interface for quick editing of the most common parameters.
Formats: Kontakt 3, Reason, SFZ and WAV.
Nerd Electro is available to purchase for €9.90 EUR.
Plughugger has announced the release of Bassphere01, a collection of 130 sounds for Spectrasonics Omnisphere.
While filled to the brim with leads, synthesizers an a wealth of magnificent atmospheric sounds what more can you wish for with Spectrasonics Omnisphere?
Well, of course, bass.
Bassphere01 is a bass expansion for the Omnisphere with a couple of twists. Firstly, it’s weightless. It does not rely on any of the samples in the library, but entirely uses its built-in synth engine. What this means in terms of usability, is that the sounds load the very instant you select them. No waiting for the sounds to load. Secondly – we adopted a method of manual evolution and development with each and every sound. We started with a handful of bass sounds for a variety of musical styles, evolved them, arpeggiated them, effected them and sequenced them until our library had grown into 130 sounds. It’s worth pointing out that the differences between the variations are far from identical twins, with a little adjustment on resonance.
Bassphere01 covers all kinds of electronic genres: 80s pop, electro, techno, house and even acid house.
Bassphere01 for Omnisphere (works with all hosts including Apple Logic) is available to purchase as a download for 4.90 EUR.