Results for Rhythmic Robot

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Rhythmic Robot WurliBeat sample library for NI Kontakt

Rhythmic Robot has released WurliBeat, a Kontakt sound library featuring the smooth groove and mellow chilledfulness of the Wurlitzer Swingin’ Rhythm.

WurliBeat is a Kontakt recreation of the rare Wurlitzer Electronic Swingin’ Rhythm preset rhythm machine. The Swingin’ Rhythm is an early analogue rhythm unit intended to accompany Wurlitzer’s organs, and features five preset rhythms in combination with four one-shot kit pieces (kick, brush, block and cymbal) plus a Snare kit piece that can either be one-shot or continuously rolled. The onboard rhythms are typical of the 50s era, and comprise Waltz, Latin, Foxtrot, Teen and March, which features the rolled snare prominently.

Rhythmic Robot WurliBeat
WurliBeat has a creaky, slightly crackly, varying analogue charm that can add a dose of real vibe to ambient, nu jazz, trip-hop, New Age, ambient house and other laid-back musical styles.

WurliBeat features

  • 24-bit multiple samples, randomised on playback for analogue feel.
  • 5 preset rhythms which sync to DAW host tempo and can be combined.
  • Inbuilt compression and era-appropriate convolution plate reverb.
  • Level trim and pan position controls for each kit piece.
  • Photo-realistic user interface.

The sound library is available to purchase for £5.95 GBP.

More information: Rhythmic Robot / WurliBeat

Rhythmic Robot intros Jennings sound library for Kontakt

Rhythmic Robot Jennings

Rhythmic Robot has announced the release of Jennings, a synthesizer instrument library for Native Instruments Kontakt.

We promised you our best synth ever. Well, here it is, guys: all the way from 1946, give a big warm hug to JENNINGS.

It’s a recreation of the Jennings Univox, an astonishingly cool dawn-of-an-era synth that got used by the Fab Four and wormed its way into the consciousness of a generation when it did that lead line on Telstar.

It sounds absolutely amazing, and we’ve expanded and enhanced it so that it goes waaaay beyond its roots. It’s been being soldered together on the lab bench for months, but finally, finally, it’s done. Now it can be yours!

Rhythmic Robot Jennings
Rhythmic Robot Jennings: Sounds from the dawn of the synth age: the Jennings Univox all-valve synthesiser.

Jennings features

  • 24-bit, 20-second samples of a professionally-restored Jennings Univox.
  • All-valve waveforms.
  • Convolved IR maps and multiple sample sets combine to recreate all front-panel tabs.
  • One or two oscillators, with detune and Osc Spread control for stereo width.
  • Multi-mode resonant filter switchable between 2-pole (12dB/octave) and 4-pole (24dB/octave), high or low pass.
  • Filter and Amplitude envelopes; Amplitude envelope with specific attack-curve control (for “sucky” or “snappy” attacks).
  • Filter LFO and switchable Amplitude (tremolo) / Pitch (vibrato) LFO, with adjustable ramp time.
  • Full effects section with Chorus, Phaser, Delay, Rotary Speaker and Amp Cab simulator.
  • Stereo Widening in combination with Osc Spread maps keys across the stereo sound field.
  • “Compliance Mode” makes creating authentic 1946-style patches simple.
  • Requires Kontakt version 4.2.3 or later (including Kontakt 5). Not compatible with Kontakt player.

The sample library is available to purchase for £59.95 GBP.

More information: Rhythmic Robot / Jennings

Rhythmic Robot releases Analog Piano for NI Kontakt

Rhythmic Robot Analog Piano

Rhythmic Robot has released Analog Piano, a Kontakt instrument based on an entirely analogue electronic piano.

Analog Piano is sampled from a 1970s Crumar ColorSound electronic piano, an all-analogue stage piano capable of generating three basic tones: Piano, HonkyTonk and Clav. Of these the Piano tone is by far the most musically versatile, emulating an acoustic piano to some extent but with many of the warm, earthy qualities of a Wurlitzer-type electric piano as well. Although the original Crumar ColorSound didn’t respond to keyboard velocity, the software version incorporates several crossfaded velocity layers carefully adjusted in the studio to become progressively brighter and more cutting or mellower and rounder with playing dynamics. This velocity control can be switched in or out from the front panel.

Analog Piano suits contemporary musical styles where a typical multi-sampled grand piano might feel too “classical” for the context. It is particularly effective in roots rock, electronica and dance. Included in the instrument are key effects like tube saturation and tremolo, plus an amp cab simulator with a choice of classic models and a convolved spring reverb to add extra authenticity to the vintage tones. The three presets can be switched in in any combination, and envelope control over attack and release allows for gentler pad or texture sounds to be generated.

Rhythmic Robot Analog Piano
Analog Piano — The warm, earthy tone of the Crumar ColorSound piano.

Analog Piano features

  • 24-bit multi samples with velocity crossfades.
  • Piano, HonkyTonk and Clav tones.
  • Amp cab simulator with choice of cabinets.
  • Convolved spring reverb.
  • Tremolo, stereo spread and envelope controls.
  • Velocity sensitivity switchable on / off.

Analog Piano is currently available to purchase for £12.95 GBP (regular £14.95 GBP). Requires Kontakt 4.2.3 or later full version.

More information: Rhythmic Robot / Analog Piano

Rhythmic Robot launches Sizzling Summer Sound Sale – Kontakt libraries discounted

Rhythmic Robot Summer Sound Sale

Rhythmic Robot has announced its Sizzling Summer Sound Sale, offering its sound libraries at a discount for a limited time.

Yup, it’s sale time Very Happy Get your good selves over to www.rhythmicrobot.com and follow the links for Summer Sale to get deals like…

  • Drum machines were £5.95 now £4.95
  • Keyboards and things were £8.95 now £6.95
  • Mongo’s stuff like Snaps’n’Claps and Typewriter were £2.50 now £1.50
  • Loopscape down from £34.95 to £29.95
  • Tubes & Wires down from £19.95 to £17.50

…and, well, you get the idea. Things are cheaper, mostly. Don’t think we put anything up, at least.

The sale ends August 31st, 2012.

More information: Rhythmic Robot

Rhythmic Robot SpecTone – Chip music tone synthesizer for Kontakt

Rhythmic Robot SpecTone

Rhythmic Robot has released SpecTone, a sound library for Kontakt featuring the sounds from the onboard sound chip of a Sinclair ZX Spectrum.

SpecTone puts instantly familiar early 80s computer tones into the sonic toolkit of the producer, either for local colour in other styles of music, or to complement chip-music style productions.

It provides additional control in the form of an ADSR envelope, onboard effects (including a filter to tame aliasing artefacts), and velocity control of noise samples.

SpecTone features

  • Sinclair ZX Spectrum sound chip samples at 24-bit.
  • Further samples of the Currah MicroSpeech vowel sounds, with blend control.
  • 5 vowel sounds can be selected, with or without vibrato.
  • “Drum” sounds in the form of pitched and noise-based samples from the Spectrum.
  • ADSR envelope allow pad-style sounds.
  • Onboard effects include Drive, Compression, Filter and Bit-crushing.

SpecTone is available to purchase for £2.50 GBP. Requires Kontakt 4.2.3 or above (full version).

More information: Rhythmic Robot / SpecTone

Rhythmic Robot LEL – 8-bit sampled Soviet drum machine with built-in rhythms

Rhythmic Robot LEL

Rhythmic Robot has released LEL, a drum sound library for Native Instruments Kontakt.

The hardware Lel’ was programmable but shipped with 32 onboard preset rhythms which made use of its 12 8-bit samples. It also featured a useful Accent control for introducing variation into programmed and preset rhythms.

LEL recreates both the 12 samples and the 32 preset rhythms, which have been time-sliced to sync automatically to the host DAW’s tempo. They can be triggered by MIDI note or from the front panel of the Lel itself. All preset rhythms are freely combinable and can be “stacked” to create new polyrhythms. In addition to pan and level controls for each of the kit pieces, the unit also features an effects block with bit-crushing, saturation, drive distortion and compression modules.

Rhythmic Robot Lel
Rhythmic Robot’s Lel contains 8-bit samples of real drums. Not for Soviet citizens poor-quality analogue imitations of drums. Real drums only!

LEL features

  • 12 kit pieces (kick, snare, hats etc) sampled in both non-accented and accented variants, at full 24-bit.
  • 32 preset original rhythms sampled in stereo and time-sliced to sync to host DAW.
  • Preset rhythms freely combinable in any permutation.
  • Pan, level, bit-depth, tape saturation, drive distortion and output compression built in.
  • Unusual non-western rhythms included in the preset list.
  • Front panel switchable between Russian and English lettering.

The sample library is available to purchase for £5.95 GBP. Requires Kontakt version 4.2.3 and higher (full version).

More information: Rhythmic Robot / LEL

Rhythm Robot releases SpecTalk sample library for Kontakt

Rhythm Robot has announced SpecTalk, a sampled version of a genuine 1980s computerised speech synthesiser.

Rhythm Robot SpecTalk

It creates monotone robot voices, robot sound effects, 8-bit vocal phrases and glitchy stutter effects. It includes a complete phoneme set allowing the user to create any vocal word or phrase imaginable, plus four banks of pre-prepared words and phrases covering a variety of styles (from dance floor ad-libs to old science fiction quotes). The sound is entirely 8-bit and far more authentic than using a vocoder to emulate “robot voices”.

It also includes a built-in drum kit made by the speech synthesiser “saying” drum sounds (so the bass drum is “buh”, the snare is “tshh” and so on). This is cooler than it sounds here: check out the audio demo on the website for proof!

The source for SpecTalk was the Currah MicroSpeech hardware add-on for the Sinclair ZX Spectrum home computer. This was an 8-bit hardware speech synthesiser that converted any key press on the Spectrum to a spoken word, and also allowed for specific word and phrase creating via simple BASIC programming. All the component phoneme sounds, plus full words and phrases, have been sampled.

SpecTalk is ideal for sound design, glitch, experimental and dance music, where its phonetic components can be treated as musical or rhythmical elements in their own right (they respond particularly well to further processing); and of course for creating robotic-style ad-libs, shout-outs, voice-overs, vocal phrases and stutter effects with a uniquely old-school 1980s flavour.

Rhythm Robot SpecTalk
SpecTalk 1980s-style 8-bit computerised speech synthesiser for NI Kontakt.

SpecTalk features

  • Complete phoneme set allowing the creation of infinite original vocal phrases.
  • Built-in library of pre-recorded phrases and words.
  • 8-bit quality throughout (sampled at 24-bit!).
  • True 1980s-vintage robot voices.
  • Phoneme components ideal for sound design and further manipulation.

The SpecTalk sample library for Kontakt (full version 4.2.3 or later) is available to purchase for £4.95 GBP. Previous Rhythm Robot customers can get SpecTalk free of charge (check your email).

More information: Rhythm Robot / SpecTalk

Rhythmic Robot releases Loopscape Tape Loop Synthesizer for Kontakt

Rhythmic Robot has released the Loopscape Tape Loop Synthesizer, a sound library for Native Instruments Kontakt.

Inspired by the experimental soundscapes produced by 70s pioneers like Brian Eno, Loopscape is a synthesiser that creates endlessly modulating, evolving complexities of sound from raw waveforms recorded onto looped sections of audio tape.

It is richly warm, thoroughly analogue, and every sonic inch of it has been printed to oxide and passed across the playback heads of vintage tape gear of the past. This is the sound of science meeting art: the depth of analogue synthesis run through real tape spools. And look – it’s covered in knobs and sliders, too!

Rhythmic Robot Loopscape
Loopscape creates a sound so dense, rich and evolving that one single held note will quite simply not repeat its sonic fingerprint for thousands of years.

Loopscape features

  • Three virtual Tape Loops running 24-bit recordings of real analog tape.
  • Each Loop can be loaded with Saw, Double Saw, Triangle, Square, Sine or Noise waveforms.
  • Each Loop can have its length chosen from 0.5, 0.66, 3, 5, 7, 11, 13 and 17 seconds.
  • Each Loop has a switchable High / Low pass resonant filter.
  • Each Loop has four LFOs: Filter, Amp 1, Amp 2 and Pitch.
  • LFO wave shapes can be chosen from Sine, Triangle, Sawtooth, Square and Random.
  • Full AHDSR envelopes for each Loop.
  • Global tape-based Effects section with Saturation, Chorus, Flanger and Delay.

Loopscape for Kontakt is available to purchase for £34.95 GBP.

More information: Rhythmic Robot / Loopscape Tape Loop Synthesizer