A complete list of products reviewed on rekkerd.org is available here.
Goldbaby’s latest sample pack Dirt and Layers features a collection of samples to enhance your drum and percussion sounds by adding some dirt, layers & more.
The dirt category comprises 140 sounds, including vinyl and tape noise, digital hash, guitar amp and pedal hum and more.
The dirt sounds can add subtle or not so subtle texture to your individual instruments or whole mixes. Add some vinyl noise to give the impression that your instrument was sampled off vinyl. Add some tape noise to make your recordings sound like they were done on tape before noise reduction was invented. Use the damaged cassette noise to fake your cassette sampling skills.
No less than 830 drum layering sounds are found in the layers category. These include kick drum subs, snare top sounds, sucking sounds, transients, and more.
The drum layering sounds are a fantastic tool kit for augmenting and beefing up drum sounds. Give your drums more depth and texture by experimenting with different layers. Boost the bottom end of kicks with tuned subs or add a transient layer to help it cut through a mix. Crispen snares with various top layers or add body and substance using the sauce and body layers.
For instant gratification you can drop one of the 50 loops (REX) in your track to get the authentic, characteristic sounds of vinyl, dirt patterns, etc.
While the pack is clearly designed to enhance your drum sounds and add character to (any) audio, many of the sounds are also great for using as is, or as the basis for further processing. If you like your odd percussion sounds like me, you will be in for a treat. Transient clicks and kick subs are probably best used layered with existing drum sounds, but that doesn’t mean you can’t use them any other way. Hugo also included things like synth fx, random noises and vocoder sounds, so you really have a good variety of sounds.
Maschine and Geist users will be happy to hear that Dirt and Layers includes browser integration for these instruments, so everything is nicely ordered/tagged and good to go right off the bat.
Check this nice video demonstrating how you can use these tools to layer sounds in Maschine.
So what do I think?
Format: 970 wav samples (24-bit) / 50 REX loops
Price: $29 USD
Like: Excellent tools, top notch sound design, browser integration, Goldbaby quality
Don’t like: –
I think this is one of Goldbaby’s best sample packs to date. Hugo has always delivered work of the highest quality, but to me Dirt and Layers is a bit special, something like a treasure trove.
Making sure you have good quality source material to work with is really important, but there usually is room for improvement. Dirt and Layers is like a toolbox filled to the brim with the best tools for the job.
Depending on the vibe you are trying to create you will want to add some of those character noises, fatten up your drum sounds, or add some excitement with sound fx type samples. This pack has it all.
And if you like a more experimental sound, you’re going to be using these samples for a lot more than layering or simply adding character. Get your creative juices flowing!
The continuation of the successful padsheaven, a brand new collection of lyrical, dramatic pads, effects and soundscapes and much more from a multiple golden and platinum record owner composer.
Like the first version, you can use them in almost all styles from classical pop/rock ballads to moviescores or even in the most up to date compositions.
The majority of Padsheaven 2 patches are pad sounds (99). A full range of pads is included, from deep & warm to icy thin. Additional sounds include a variety of keys, bass and lead, plucked instruments and drum sounds (19 patches in total), as well as 15 arp/rhythmic patches. A few variations and bonus presets make for a total of 133 patches.
Joseph has once again made good use of the various controller assignments to add lots of expressive and dynamic variety to the sounds. Aftertouch, breath and expression have been assigned to the XY pads on Zebra, so you can change multiple parameters with a single control.
So what do I think?
Format: 133 .h2p patches for Zebra 2.5
Price: $25 USD
Like: Beautiful sounds, well designed
Don’t like: –
Padsheaven 2 goes on in the same vein as its predecessor. High quality sounds, exceptionally emotional, expressive, and beautifully sculpted by talented sound designer Joseph Hollo.
I can never get enough of good pad sounds, and this set delivers another stunning collection.
Padsheaven 2 is another must buy for any Zebra user who needs pads. And then some. The bells, leads/synths, plucked sounds… all just hitting that sweet spot. These sounds will do wonderful in ambient and cinematic works, or anything else that needs gentle, moving, astonishingly beautiful sounds.
Joseph is offering a free 8-patch demo bank so make sure to check it out.
More information: Arte Nuovo
Sample Magic’s latest SM Studio series sample library is Chillwave Guitars, a collection of inspiring guitar loops.
The SM Studio series is all about live instruments, and having the session musician right at your fingertips by offering quality stems recorded and processed with high-end gear.
Chillwave Guitars offers a collection of 140+ guitar riffs, phrases and textures by experienced musician, teacher and producer Simon Pratt.
From summery acoustic patterns and lilting beachside progressions to effected swells, tapetoned reverses and degraded electric guitar textures, Chillwave Guitars answers that request, serving up a wealth of 6-stringed inspiration that can slot effortlessly into the mix or form the cornerstone of new productions.
The pack features 146 processed loops of acoustic and electric guitar loops, and raw (unprocessed) versions of the recordings for 138 of them. All samples are key labeled and tempo synced to 90 and 100 bpm. REX and Apple Loops formats are also available if you want to work in different tempos or keys. The file names indicate acoustic (24) or electric (122) guitar loops.
For this collection Simon used various guitars, including a Fender Thin-Line Telecaster and a 1970′s Ovation acoustic guitar. Some classic amps and effects pedals were used, and the acoustic recordings were tracked with vintage Neumann U77 microphones.
Following in the footsteps of the sun-washed sounds of the Chillwave sample library, this guitar loops pack has a seriously laid back vibe, with that typical vintage 80′s sound and heavy use of effects processing found in chillwave music.
So what do I think?
Format: 24bit samples (Wav/REX/Apple Loops)
Price: £14.90 GBP
Like: Spot on sound, lovely themes, good variety, includes raw material
Don’t like: –
With Chillwave Guitars, Simon Pratt delivers an outstanding collection of guitar loops.
The effects processing is spot on and there’s a wide range of sounds, making these loops perfect for use in chillwave productions. While the sounds are beautifully designed, having the unprocessed recordings is very useful too, as you can use your own effects processing to get the sound needed for your projects.
Simon is creative and consistent in his playing, and it really feels like having a top notch session player in your studio.
I don’t normally use arpeggiators much. It’s not that I dislike them, I just don’t really need them for producing my music.
That said, I do enjoy happy accidents and I like drawing inspiration from things I would normally not think of doing myself — randomize FTW — so why not give Kirnu Cream a try.
Aarto Vaarala says this plug-in is not like your traditional MIDI arpeggiator or sequencer, rather it is a very powerful MIDI performer, intended to be used in both live and offline DAW usage.
With simple and clever design it has been made easy to learn and operate. You can easily create cool performances by tweaking only couple of controls. If this is not enough for you there are so many ways you can control Cream that you never feel bored with it.
Setting up Cream is quite straightforward. Just load the plugin on a MIDI track, set the output to the instrument you want to control, and feed Cream some MIDI notes. MIDI routing is not the same for all host applications, so if you’re not sure how to do this you can check Arto Vaarala’s YouTube channel for instructions on setting it up with Ableton and Logic.
Kirnu Cream has 4 tracks that can drive individual MIDI instruments with up to 12 patterns each. The patterns feature gate, swing, octave, transpose and rate controls for each of the patterns. These controls can be locked to prevent presets from changing the values.
Each track has the following pattern data screens:
- Order sets which note is played (none, previous, last, first, high, low & random).
- Chordmem selects which chord is used (16 chord memory slots available, up to 8 notes per chord).
- Length multiplies the note lengths of a step.
- Gate sets the note length for individual steps.
- Accent adjusts note velocity.
- Transp for transposing notes in semitones (or chosen scale).
- Div allows notes to be divided into multiple (shorter) notes.
- Shift lets you shift notes left and right.
- Seq specifies which of all notes of a held chord in a step are actually played.
You also get 8 MIDI CC slots in which you can control additional parameters after assigning them with MIDI learn.
Each pattern data screen has up to 32 steps and various play orders, and they can be looped individually with the loop control. Looping is left to right, right to left, or back and forth between start & end, and reverse. The pattern data can simply be drawn in with your mouse, and there are handy copy/paste, randomize and clear buttons. Unfortunately there is no undo/redo.
A pattern sequencer is also included. It has 16 slots in which you can assign the pattern, length and amount of repeats. Cream uses a number of MIDI keys to control pattern data toggles and pattern changes, which follows the global pattern change sync. Cream comes with some 40 scales to restrict the notes used by the arp.
Check this nice demonstration video on how to use Kirnu Cream’s loop points, patterns and the pattern sequencer to create a nice chord progression.
So what do I think?
Format: VST/AU instrument plugin
Price: 35 EUR
Like: inspirational & flexible MIDI performer, control zones, randomize
Don’t like: not so intuitive
Well, I’m still a bit divided on Cream. While I am well impressed with what it can do, I prefer to simply program my sequences manually. That is, when I know exactly what I am looking for.
I think Cream (and arp tools in general) might be more useful to producers of certain types of electronic music. Arps are a staple of the trance diet, and I can see Cream will definitely be something that can improve/speed up one’s workflow a lot. However, I don’t produce trance.
What does totally click with me though, is using Cream as an inspirational tool. Enter some data in the pattern screens, clicks a randomize button, set some loop points, and voila! It allows me to create sequences that I would never not think of myself. With the right settings you can even use it on drum/percussion instruments to create interesting rhythmic sequences. Being able to control patterns with MIDI is great for live performances, as well as the creative process in the studio.
I would like to point out that I didn’t find Cream totally intuitive. This could be due to my lack of experience with arp tools. The manual explains the basics pretty well and it is worth a read for the shortkeys, but for more hands-on instructions you should watch Arto Vaarala’s YouTube videos.
In short, Kirnu Cream is powerful and inspirational MIDI tool. It goes well beyond the traditional arpeggiator, offering lots of flexibility in programming and performance.
More information: Kirnu Cream
Samplephonics has collaborated with yet another interesting producer for its Future Garage and Deep Techno sample library.
Mysterious producer Ghostek presents a deep and varied sample library, containing an eclectic selection of lo-fi garage breaks, driving techno percussion, granular pads, dark brooding atmospheres, deep and sometimes sinister basslines, and a huge collection of one shot drums and effects samples.
From airy, floaty trips to sinister, pulsating rhythms, this sample pack pushes forward the deep house, garage and techno movement towards something that is both unique and varied, yet somehow bound together by a distinct feeling of otherworldiness and emotion.
I was not familiar with Ghostek’s productions, so I had a quick listen to some of his tracks at his SoundCloud.
Ghostek’s style is seemingly dark and otherworld-ish indeed. Next-gen garage style beats and percussion mixed with minimal melodic themes drenched in reverb, electric static bass sounds and haunting vocal snippets.
The sample pack kind of sounds like a dive into Ghostek’s personal stash of samples. Here’s a breakdown of what is included:
- 43 bass loops.
- 191 combi drum loops.
- 287 one shot samples
- 70 FX
- 25 hats
- 60 kicks
- 72 percussion
- 60 snares
- 77 pads and atmos.
- 61 percussion & top loops.
- 26 synth loops.
- 6 sampler patches for Kontakt, EXS24 & NN-XT are included. These group sounds for easy auditioning.
The bass loops immediately set the tone. Ghostek is on some different stuff. Growling reeses and distorted hardcore stabs alternate with deep sub basses and techno lines. There’s a lot of creative processing going on. In general the bass loops are quite raw sounding.
Whereas the bass section smells more of drum and bass than garage or deep techno, it’s the combi drum loops that show this sample library’s true colors. The mix of syncopated garage shuffles and straight on deep techno beats is interesting. Both have a totally different feel, yet Ghostek blends them seemingly effortless. With close to 200 loops there is plenty of variety in these 4 to 8 bar loops. With a variety of lovingly applied sound effects, there’s not a bland beat to be found really.
The one shot sample section includes sound fx as well as various drum elements. These compliment the loops well and can be used to construct completely new beats from scratch. Very useful.
The pads & atmos are stunningly beautiful. Ghostek knows how to use reverb to create gorgeous, intricate soundscape type sounds. Very cinematic, and well suited to minimal or ambient music. I was pleasantly surprised that on their own, many of these samples actually have a very uplifting character. My only gripe is that some of the loops are cut a bit too short. They’re alright, but they just end too abrupt for my taste. Specifically the reverb heavy sounds would benefit from a longer tail.
The percussion and top loops again show Ghostek’s different approach. They have a lo-fi quality about them that I really enjoy. Lots of creative processing results in a very musical batch of sounds.
Lastly, the synth loops folder features another collection of melodic sounds. It is a bit of a mixed bag—not your typical synthesizer sounds, but very useful and inspiring. Some of the most beautiful samples I have heard in a long time.
Check the official demo tracks below to get an impression of the sounds of Future Garage and Deep Techno.
So what do I think?
Format: 24bit samples (various formats)
Price: £34.70 GBP
Like: unique material, inspiring, single shot samples
Don’t like: pads/atmos could evolve more or have longer tails
What a gem! The sounds of Future Garage and Deep Techno are so refreshing. There is lots of unique sounding material, it feels like uncovering a goldmine.
Though I found Ghostek’s music to sound rather dark, the samples in this production actually didn’t give me the same vibe. My favorite sections are the pads/atmos and the combi drums, but to be honest the whole pack is brilliant.
Ghostek’s Future Garage and Deep Techno is very musical and inspiring. If you are in for some new sounds, check it out!
Ethno-tropical sound set with a gentle breeze of warm equatorial regions.
The soundset includes a total of 54 patches:
- 32 Abstract Instants.
- 4 Lead/Bass.
- 3 Sequence Patterns.
- 15 Texture Pads.
Most patches have all 4 macro XY pads assigned for maximum expression.
At 54 patches, this soundset is rather small. However, it is surprisingly versatile.
Check out a few of the patches included in this audio clip.
For a demonstration of the sounds in a musical context, Torben Hansen created this lovely track.
So what do I think?
Format: .h2p patches for Zebra 2.5
Price: $8.95 USD
Like: organic sounds, expressive, unique & usable
Don’t like: –
Zebra Botanica is a really nice set of sounds. I don’t know if it’s the concept, patch titles and the cover art for the soundset, but the whole thing feels very organic to me. Almost like a collection of real instruments, found scattered around a tropical forest.
There is a lot of color in the instruments, they’re vibrant and alive. Interestingly enough, Artur has shared that he likes to start off with the artwork of a soundset, using a wallpaper of it as an inspiration while designing the sounds. I think this approach works really well, resulting in a cohesive collection of original sounds.
The patch count is kind of on the low side, but the soundbank is priced accordingly.
Only about a year after Ample Sound first launched, it has already managed to produce no less than 5 virtual guitar instrument libraries. After doing a set of three electric guitars (Fender Strat, Gibson Les Paul & PRS Artist) they have recently released Martin and Taylor acoustic guitar libraries.
The audio demos of these acoustic demos impressed me so much, that I had to check one of these virtual guitars.
My favorite Ample Sound library is the Ample Guitar M, which brings the sound of the Martin D-41 dreadnought to your computer. This one sounds a lot like the Takamine I use myself, so I was drawn to it immediately.
The instrument is built on a total of 3,842 dry samples in finger and strum playing styles. The Ample Sound engine comes with tons of features that allow you to make it sound like you are playing/recording a real guitar. There are various playing styles, fret noise, resonance control, comprehensive chords and strumming, various stereo & mono modes and doubling, and lots more.
So what does it sound like?
Now I don’t know about you, but this gets me all excited about using the AGM instrument in my projects. But there’s a catch… A fantastic demonstration like the one above typically leaves you scratching your head once you load the virtual instrument in your DAW, wondering how the heck they did that. I call this the Jeremy Ellis syndrome.
The AGM can sound incredibly realistic, but it also takes a fair amount of time and effort to learn how to play it. Much like a real guitar I guess. The MIDI programming options are comprehensive, and you will need get familiar with all the settings and controls. You really need to sit down and read the online manual – maybe a few times, since the instrument engine has so much to offer, including small detail type things that will really improve the performance of your guitar tracks.
Ample Sound recognizes that you will likely need some more hands-on training, so they have included MIDI and project files of the demos for some of the major DAWs, so you can see how the tracks were programmed.
If you know how to play guitar you can obviously do some things quite a bit faster on a real guitar (depending on your skills of course), but once you get the hang of the Ample Sound guitar engine, it becomes a great alternative to recording your own parts or session guitarists.
One of the things that took me a while to grasp is the strummer, which includes no less than 28 modes and 14 strum notes, and a library of 15 chord types and a total of 180 preset chords in 3 positions.
In “Select” mode, you can set up 12 chords in the plugin GUI, and use the sequencer to program strumming techniques, and just program single MIDI notes to trigger it all. It is also possible to let the engine “Detect” chords, including inversions for different guitar positions, by using a range of notes.
Typically, realistic guitar strumming is quite hard to do with a virtual instrument, and AMG certainly is not perfect. It can sound a bit lifeless, but again, you have lots of parameters to control detail of the sound (strum time, legato, humanization, etc) and with proper care in your programming you will be able to create authentic results for most strumming modes. Note that all controls of AMG can be automated by MIDI through the CPS (Customized Parameters Setting) system.
It’s worth mentioning the instrument also includes 8 effect unit to further shape the sound; reverb, stereo delay, chorus, phaser, compression, equalizer, overdrive, and wah-wah.
Here’s another demo clip from Ample Sound.
So what do I think?
Format: VST/AU/RTAS/AAX plug-in
Price: $169 USD
Like: Stunning sound, comprehensive, realistic engine
Don’t like: Strummer could be more intuitive
This virtual guitar is simply amazing. The samples sound crisp to my ears and it has some kind of intimate vibe to it, which I love. I am well impressed with the overall sound and set of features of this instrument.
Ample Sounds’ instrument engine is really powerful. Considering the plethora of keyswitches, playing styles, chords & strumming modes, and whatnot, it does have a bit of a learning curve but it is actually not as hard to get to grips with as you might think. If you take the time to read the manual and check the demo projects, you should be able to create your own guitar tracks soon enough.
In short, Ample Guitar M is an excellent alternative to recording your own guitar parts or using session musicians, and I think it is raising the bar when it comes to realistic virtual acoustic guitar instruments.
Ample Sound has a free Ample Guitar M Lite edition available to download. It has limited features but it is well worth checking out if you want to get a taste of the AGM.
I am always excited to see what Simon Stockhausen of Patchpool can do when he gets his fingers on a new synthesizer plug-in. After hearing some of the teaser sound clips, I knew the Diversion soundset for the Diversion synthesizer plug-in by Dmitry Sches was going to be good.
Diversity includes a total of 101 patches and 6 variations. Simon aimed to create a wide range of diverse sounds…
… reaching from mellow and beautiful bells, pads, textural instruments and expressive lead sounds to edgy and soaring sequences and synths to dark and mysterious drones and soundscapes to otherworldly and abstract textures.
The patches use many custom waveforms made with Diversion and other sources. The sounds of this set were designed to be expressive, featuring complex modulations and x/y morph parameter assignments & aftertouch for more dynamic and expressive playing.
A breakdown of the patch categories:
- 9 Bell & Plucks + 1 variation
- 21 Keys & Synths
- 19 Pads + 2 variations
- 29 Scapes & Drones + 2 variations
- 23 Sequencers + 1 variation
For each of the patches there is a description and/or insights into how the x/y, aftertouch, velocity etc. can be used to control the sounds.
Some of the patches use quite a lot of CPU. Simon recommends reducing polyphony or switching off the unison mode while tracking (and turn it back on for the render). Diversion does some high quality sounds, and I’m more than happy to work around some of the CPU issues until I get a better CPU.
While checking out the sounds I got inspired to do a little piece of music. The sound clip below is made with 5 instances of Diversion, only using patches from the Diversity soundset.
I only spent about 15 minutes from start to render so I didn’t spend much time on the mix and just slapped on a gentle compression on the master. No other processing was done.
For more elaborate examples of the sounds of Diversity, make sure to check Simon’s demos.
So what do I think?
Format: patches for Dmitry Sches Diversion
Price: 25 EUR
Like: Well designed, cinematic sounds. Detailed patch info.
Don’t like: –
For a synthesizer as good as Diversion, it’s a bit of a shame there are only so few soundsets available for it. I guess there is a smaller market than for Massive, Sylenth1 and the likes, but luckily Patchpool supports the lesser known plug-in developers.
Diversity offers a most wonderful collection of sounds, beautifully designed by seasoned composer and sound designer Simon Stockhausen. With his signature cinematic style, Simon’s sounds are great for soundtracks and ambient music. They are ready to use out of the box, all you need to do is be inspired by them.
If you had a listen to the demos you undoubtedly heard that these sounds are designed in a way that when played alongside one or two other patches, or even individually, they are completely musical, expressive and generally totally mesmerizing. You just get completely immersed in the sounds, what inspiration!