Keith McMillen Instruments has introduced the QuNeo, the next generation of music software and hardware controllers for electronic musicians, DJs, VJs and DIY hackers.
Redefining music production and performance, QuNeo (pronounced kyoo-ne-oh) covers all of the functionality of other controllers, while adding the power of extra dimensions. Quneo provides 27 pads, sliders and rotary sensors with 3D Multi-Touch recognition for pressure, velocity, and location sensitivity, which allows musicians playing electronic sounds to change their timbre (quality, brightness and volume) the harder or softer they are played by simply varying touch pressure. The pads are also responsive to X (left – right) and Y (up – down) and recognize multiple gestures for pinching and swiping.
Previously with first generation products, controlling music software and hardware was limited. You could only hit a pad, twist a knob or push a button to manipulate sounds and effects. KMI has resolved these restrictions with its innovative next generation line of Multi-Touch controllers: SoftStep, 12 Step, and now QuNeo, that transforms musical intent into audio through physical control of 3D Multi-touch sensor technology.
The Size of an iPad: QuNeo is the size of an iPad 2 and fits in iPad accessories such as clips, stands and more.
3D Tactile Pads, Sliders, Rotary Sensors and Switches: 27 pads, sliders and rotary sensors that are pressure, velocity, and location sensitive, with 17 switches responding to how hard you press.
LED Light Feedback: a remarkable lumination scheme combines variably diffusive elastomers with 251 multi-color variable brightness LEDs providing visual feedback that is immediately responsive and delightfully informative.
Class Compliant and Open Source Development Kit: QuNeo works with USB, MIDI or OSC and will communicate with your favorite music software environments right out of the box. More advanced users and programmers can download the development kit to create their own code to respond to QuNeo’s sensor data.
The QuNeo is scheduled for release in March 2012. It is currently priced at $200 USD for pre-sale at Kickstarter.com
Brett Park of Shiverware wrote to share news about Rainboard, a DIY dynamic isomorphic keyboard.
The Rainboard is a 61 button isomorphic keyboard. Each button contains a RGB led in order to light up the button. A midi value is also mapped to each button. The colours and midi values of the buttons are set from an external source (currently the Musix iOS application, but could easily be set by any serial midi device) using sysex messages. This allows the layout to be change very rapidly. All that needs to be done is to use Musix to select the desired layout on screen and push a button to send the data to the Rainboard. The Rainboard then sets all the LEDs and midi values then stores these values in EEPROM to save settings across resets so the external device is not needed after the desired layout is set.
When buttons are pressed the note values are sent to an onboard midi instrument shield in order to produce sound via a 1/8 inch audio jack. As well, the midi values are sent to Musix (with note identifier values rather than midi values). This allows Musix to know exactly which button was pressed if multiple notes of the same midi value are present on the board. Musix can then use it’s built in synthesizer to play the music or it can send the data on to other iOS apps to synthesize the audio (such as NLogSynth, Arctic Keys, or SampleWiz).
Line 6 has introduced the MIDI Mobilizer II, its latest portable MIDI interface that connects all classic and modern MIDI equipment to Apple® iPhone® and iPad®.
Descended from the first-generation MIDI Mobilizer (the world’s first MIDI interface for Apple iOS devices), MIDI Mobilizer II is the ideal MIDI interface for GarageBand® for iPad® and other CoreMIDI music apps.
“MIDI Mobilizer II makes portable music production easy,” remarked Chris Grigg, Line 6 mobile products manager. “Anyone with an iPhone or iPad and a MIDI controller can connect MIDI Mobilizer II and be recording and playing music in seconds. And with new apps being developed all the time, users can access an incredibly wide variety of instruments, software and more.”
MIDI Mobilizer II is compatible with CoreMIDI, the new standard for iOS music apps. This allows users to connect their MIDI gear to the latest crop of music apps like GarageBand for iPad and many other exciting music creation and education apps from developers all over the world.
MIDI Mobilizer II features
Compatible with iPod touch (3rd and 4th generation), iPhone (iPhone 4, iPhone 3GS), iPad and iPad 2
Compatible with all MIDI devices with standard 5-pin DIN MIDI connections
MIDI In and Out signal-active LEDs
Connects to the 30-pin connector on the bottom of iPod touch, iPhone or iPad
MIDI In and Out on MIDI Mobilizer via 2.5mm TRS connections
Includes a pair of 5-foot, 2.5mm-to-5-pin DIN Planet Waves MIDI cables
Powered by iPod touch, iPhone or iPad — no batteries or power supply required
Third party free and paid apps also available on the App Store.
Livid Instruments has released the OhmRGB, an adaptable MIDI control surface.
The OhmRGB is a totally customizable, interactive MIDI instrument, designed to give you hands-on control for your performance. High-quality sliders, knobs buttons, expansion jacks, and multicolor LEDs provide the interface for creative expression, whether you’re mixing samples and synths or DJ’ing a cutting-edge set. Constructed with anodized aluminum and hand-finished wood, the quality is felt down to your fingertips.
Adaptable – The OhmRGB has scripts for many major audio, video, and lighting software titles like Ableton Live and Traktor, plus a growing community of open source apps that turn the OhmRGB into a digital instrument.
USB Powered and Plug and Play – The OhmRGB is completely plug and play and USB powered. No drivers, no wall wart: it works with a single USB cable.
Multicolor LEDs – Every button is programmable with seven colors available to create custom maps and settings.
Expansion Jacks – The OhmRGB has expansion jacks for added adaptability, flexibility, and control.
Customizable – All of the assignments presets, and LED colors on the Ohm 64 RGB can be changed, remapped, and saved using the OhmRGB Editor software.
High Quality Build – Livid Instruments controllers are built by hand (with the help of a few robots) from fine woods and metal in Livid’s Austin, Texas shop.
Community – The same people that make the instruments are there to service support your controllers. Livid’s active community of users are helping grow the library of software and tools.
The OhmRGB will ship July 25th, 2011. It is available to pre-order now for $699 USD (regular $749 USD).
Korg has introduced the Pitchclip, a compact, accurate, and easy to use chromatic clip-on tuner.
Used and loved by players around the world, Korg’s clip-on tuners have earned a place as standard equipment for the modern guitarist.
The compact, affordable, and easy-to-use pitchclip is the latest addition to the popular Korg clip-on family. Simple and user-friendly, the pitchclip offers highly accurate tuning, fast and ultra-responsive results, and excellent visibility. Pitchclip is the choice for every guitar or bass player who desires fast, accurate, and carefree tuning.
Simple, convenient clip-on style chromatic tuner.
New compact, lightweight and discreet design.
Display reverse assures easy viewing when mounted on either side of the headstock.
Highly accurate and ultra-responsive, offering a wide detection range.
Tracks like a zombie, but kicks like a mule – my first taste of yellow.
As Metasonix own video makes hilariously clear, you're never going to play Switched on Bach with the R54. Feed the Supermodule with the appropriate combination of CVs, however, and you can coax deep drums, watery plops, rubber basslines and tortured-animal sounds from this unruly, tube-based VCF/ VCO.
What can a new digital synth be in 2011? How will it work and sound? And given access to so many excellent tools, how can it stand apart?
In place of a press release and some marketing-speak, developer Christopher Penrose (Leisuresonic, Cosmovox) sent us an extended essay explaining his thinking behind his imminent SynthTronica synth for the iPad. Aside from getting into the nitty-gritty technical details, it cuts to the crux of the issue: how to make something personal and new that nonetheless can work for other people, and how that idea can be tailored to a tablet.
More free samples at Waveformless’ Free Sample Friday:
Today's free sample is a single sample of a Tibetan singing bowl. The singing bowl is essentially an inverted bell that is used by Buddhists to accompany meditation or chanting. It can be played either by rolling the padded mallet along the inside rim, or by striking it. The sample I'm providing is of a single strike. It's an extremely long sample that reveals just how this instrument got the name "singing bowl". The note of the strike is an E. 24-bit, 44.1k WAV sample. [6.07 MB]
A little something different this Friday… instead of free samples, today we have 50 free patches for Native Instruments Absynth submitted by reader Alan Stuart. You can download them directly from his website. Thanks, Alan!
# Dustland – Real-time Live performance by Diego Stocco.
"Dustland" is a cinematic sounding improv that I recorded with the Fence Bass. This instrument has a rough and edgy sound since it's all made of metal, so I imagined a piece that could work in a modern Western film, I'm a fan of the genre.
Everything is created in real time, no pre-existing loops, additional tracks or post-efx involved. I built a chain of processors in Live that I control with a pedal board, all rhythmic parts and ambiences are derived from whatever sound/noise comes from the Fence Bass. I hope you'll like it!
This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.
# Beep-it! – Michael Una's Beep-it! device, an optical theremin.
It outputs a square wave whose pitch is controlled by the amount of light striking a photoresistor. You control the pitch by casting shadows over the light sensor, or by pointing it towards/away from a light source. Flashing lights induce an interesting oscillating effect. A single momentary button turns Beep-it on or off.
There is an 1/4″ output jack for connecting to audio equipment like amplifiers, guitar pedals, recording, etc.
I’ve been a bit “heads down” working on all sorts of fun music projects over the last month and half and of course learning lots of new things along the way. As I work away, I always take a moment to shoot photos.
Short: MIDI-controlled 8-bit digital synthesizer and audio sampler
Long: Device generates several different sounds based on incoming MIDI Note On/Off, Pitch Wheel and Control Change messages. Default waveforms are Sine and Square. An audio sampling function is available to record custom waveform samples that can then be played-back similarly to Sine and Square waveforms (think Impulse Tracker or Scream Tracker or any other tracker from 1997). Audio input is switchable between on-board microphone and external 4-conductor headset jack.
Free sample pack by dubstep forum user Project EX:
A small collection of kicks, recorded and collected by me. No processing on the kicks, just normalized. Will try to make some more samples at some point. Will get it on the sample swap when it's back up.